Jerry, a small-town Minnesota car salesman is bursting at the seams with debt... but he's got a plan. He's going to hire two thugs to kidnap his wife in a scheme to collect a hefty ransom from his wealthy father-in-law. It's going to be a snap and nobody's going to get hurt... until people start dying. Enter Police Chief Marge, a coffee-drinking, parka-wearing - and extremely pregnant - investigator who'll stop at nothing to get her man. And if you think her small-time investigative skills will give the crooks a run for their ransom... you betcha!
|Release Date||:||April 5, 1996|
|Genres||:||Crime, Drama, Thriller|
|Production Company||:||PolyGram Filmed Entertainment, Working Title Films|
|Production Countries||:||United States of America|
|Writers||:||Joel Coen, Ethan Coen|
|Casts||:||William H. Macy, Frances McDormand, Steve Buscemi, Peter Stormare, Kristin Rudrüd, Harve Presnell, Tony Denman, Gary Houston, John Carroll Lynch, Sally Wingert, Steve Reevis, Steve Park, Larry Brandenburg, Kurt Schweickhardt, Larissa Kokernot, Melissa Peterman, Bruce Campbell|
|Plot Keywords||:||cheating, ransom, salesclerk, winter, kidnapping, auto, unsociability, police, north dakota, murder, money, car dealership, woodchipper|
I've always thought Fargo would make a great Shakesperean play; you could alter the modern elements and still have created a buzz 400 years ago in suburban England. Indeed, the plot is similar to Hamlet's, in that they both have characters we root for who create zany plans than end up spinning wildly out of control into bloodshed. Many people seem to like Fargo for its humorous qualities, its characterization of the Minnesotan culture and Frances McDormand- not me. I love Fargo for its brilliant writing, its tragic musical score, its tragic plot, William H Macy, Harve Presnell and Steve Buscemi, its ignorance of political correctness (how many movies can you remember when the only two minority characters were both revealed to be creeps).I want to draw attention to an overlooked reason why the film works so well - how well the music suits the visuals in this movie. Each murder scene is scored superbly, and other audio clues really add to the effect (for instance, notice how when the police officer asks Carl Showalter "What's this?" in reference to the abductee, a disquieting guitar sound is immediately played that has an instantaneous psychological effect on how you interpret the scene). I have seen this film over, well, an embarrassing number of times and have committed its screenplay, from start to finish, by memory. Fargo is the ultimate Coen Brothers movie, a brilliant tragedy, and restores my faith in Roger Ebert as he places this movie in as his fourth favorite movie of the '90s.