Based on the timeless adventures of "Jack and the Beanstalk," Mickey, Donald and Goofy climb a fantastic beanstalk up into the sky to a place where everything is huge -- the food, the castle and the fearsome giant named Willy who guards a beautiful golden harp! Will Mickey and his friends outwit the giant and make it safely back home?
|Release Date||:||September 27, 1947|
|Genres||:||Animation, Adventure, Fantasy|
|Production Company||:||Walt Disney Productions|
|Production Countries||:||United States of America|
|Director||:||Hamilton Luske, William Roberts|
|Writers||:||Joe Rinaldi, Bill Peed, Homer Brightman|
|Casts||:||Walt Disney, Clarence Nash, Pinto Colvig, Sterling Holloway, Billy Gilbert, Anita Gordon|
|Plot Keywords||:||fairy tale, mickey mouse, magical object, disney short, donald duck, beanstalk, golden harp, goofy|
A Walt Disney MICKEY MOUSE Cartoon.
Three zany farmers - Mickey, Donald & Goofy - attempt to rescue the stolen Singing Harp from a temperamental giant.
While it technically does not match the quality of their classic cartoons from the 1930's, MICKEY AND THE BEANSTALK is a most enjoyable two-reeler and provides the trio with one of their liveliest adventures. The sequence of the growing beanstalk up lifting & breaking apart the farmhouse is pure magic. Comic veteran Billy Gilbert provides the voice for Willie the Giant; Clarence Nash does the honors for Donald.
Disney has produced at least three versions of this cartoon. Originally it was the concluding half of FUN AND FANCY FREE (1947) and was narrated by the marvelous Edgar Bergen with assistance from Charlie McCarthy & Mortimer Snerd. There is also a version narrated by Paul Frees in the character of Professor Ludwig von Drake. Finally, there is a version of the cartoon narrated by Sterling Holloway.
Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.