When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother. The place seems quirky, but fine… until Marion decides to take a shower.
|Release Date||:||June 16, 1960|
|Genres||:||Drama, Horror, Thriller|
|Production Company||:||Paramount Pictures, Universal Pictures, Shamley Productions|
|Production Countries||:||United States of America|
|Director||:||Alfred Hitchcock, Hilton A. Green, Lester Wm. Berke|
|Writers||:||Robert Bloch, Joseph Stefano|
|Casts||:||Anthony Perkins, Vera Miles, John Gavin, Janet Leigh, Martin Balsam, John McIntire, Simon Oakland, Frank Albertson, Patricia Hitchcock, Vaughn Taylor, Lurene Tuttle, Mort Mills, John Anderson, Alfred Hitchcock, Walter Bacon, Francis De Sales, George Dockstader, Harper Flaherty, Lillian O'Malley, Fred Scheiwiller, George Eldredge, Sam Flint, Virginia Gregg, Jeanette Nolan, Frank Killmond, Ted Knight, Pat McCaffrie, Hans Moebus, Helen Wallace, Robert Osborne|
|Plot Keywords||:||hotel, clerk, arizona, shower, rain, motel, money, secretary, corpse, murderer, theft, private detective, proto-slasher|
Getting into Hitchcock's Psycho, 57 years after its original release is like assisting to a masterclass of sorts. We can now identify what made this little lurid tale into a classic. Hitchcock himself, naturally, but now we know the first director's cut was a major disappointment and that Alma Reville - Hitch's wife - took over, re edited and the results have been praised, applauded and studied ever since. Janet Leigh's Marion Crane created a movie landmark with her shower scene. Bernard Herrmann and his strings created an extra character that we recognize as soon as it reappears under any disguise but, what shook me the most now in 2017 is Anthony Perkins as Norman Bates. His performance has evolved with the passing of time and its effect has remain as chilling, as moving, as funny and as real as it was in 1960. It's interesting to watch Gus Van Sant's 1998 version with Vince Vaugh as Norman Bates. If you look at the film, shot by shot with Berrnard Herrmann's strings - it's pretty fantastic. - Play it in black and white if you can. The problem and it is a monumental problem, we wait for Janet Leigh and Anthony Perkins, if the casting of Anne Heche was really bad - not a hint of Janet Leigh's humanity, the casting of Vince Vaughn was incomprehensible. Not just not credible for a moment but annoying, very annoying. Anthony Perkins brought something profoundly personal to Norman Bates and as a consequence we connected with his sickness. We felt for him. Okay, sorry, I didn't mean to go there but I felt compelled to because I saw again Psycho (1960) ad Psycho (1998) at 24 hours from each other and realized that the main flaw of the 1998 versions is the absence of Anthony Perkins.